2025
temporary printed mural, printed matter, website art
Inspired by textiles and flora of the Asia Pacific region, this work is part of Wofford’s ongoing Rupturre series. It was created for the San Francisco Public Library’s annual Weaving Stories celebration of AANHPI (Asian American, Native Hawaiian and Pacific Islander) heritage.
2023
Dimensions variable
performance/action, painting, installation
Performance within the Comfort Room 1.0 solo exhibition, later becoming a painting and sub-installation within the Comfort Room 2.0 group exhibition.
2023/4
10 ft h x 9 ft d x 17 ft w
Installation, painting, sculpture
The term “Comfort Room” in the Philippines means “bathroom”: in this series, the term is ironically repurposed to invoke a space for grief, loss, solace and transition, with the paintings and installation set in a fantastical, hotel-like space. Lightweight fake rocks function as semi-comedic surrogates for the ponderous symbolism of real rocks and their evocations of permanence, heaviness and place.
Venue: Frieze LA/Silverlens Galleries booth
2022
Installation, photo, video, sculpture
Asian Art Museum
This installation took MOB’s 2010 Chatsilog video as the point of entry for a new, immersive installation in honor of the late Carlos Villa, subject of the Asian Art Museum’s retrospective exhibition of his work and influence.
Installation with paintings
Coulter Art Gallery
Mise-en-scene in two parts (front stage, back stage) addressing grief, loss, and liminality. The term “Comfort Room” in the Philippines means “bathroom”: here, it’s instead meant to invoke spaces of solace and transition.
Exhibition for the Stanford Art Practice Program’s Holt Visiting Artist Residency, curated by Gabriel Harrison.
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